We check in with Jack and Bill Golding, the minds behind Johnston Street, to find out what they’ve been up to during lockdown.
We check in with Jack and Bill Golding, the minds behind Johnston Street, to find out what they’ve been up to during lockdown.
With the release of their sophomore album quickly approaching, Oliver Shaw and Jayden Hebbard’s El Fuko have let us into their world of enigmatic spoken-word art-rock, with a picturesque nine-minute video clip to accompany the first three singles of Blue Flower.
We check in with musician/radio-presenter/zine-maker/gamer Meaghan Weiley to find out what she’s been up to during lockdown.
We check in with Krister Bladh from Record Turnover to find out what he’s been up to during lockdown.
We check in with James Morris, founder of baked, to find out what he’s been up to during lockdown.
Out now through Holiday Maker Records, ‘Sally’ is our second taste of Family Jordan’s sun-drenched new album Big Grass, that has the band continuing their pursuit of authentic folk and Americana whilst maintaining plenty of local charm and humour.
Following on from his stunning debut single ‘Crush’, Sydney bedroom-pop mastermind Angeles has just released ‘In The Garden’ – a simmering alt-synth-rock slowburner that’ll wash over you like those first few days of September sun.
Two years on since their last EP, Melbourne surf-punks Sophisticated Dingo are back with How’s The Carry On!?, a familiar blast of their high-octane garage sound that’s energised by an omnipresent musical expansion. We caught up with vocalist/guitarist Lew Matte to get the run down on how the EP came together.
We have the almighty privilege of premiering Blake Scott’s debut solo single ‘Fever’, an unsettling, unshakable return from the sharp-tongued vocalist of The Peep Tempel that cements his place as one of Australia’s most cunning, idiosyncratic songwriters.
Pragmatic and lined with hooks, Geelong quartet Vintage Crop returned last week with Serve to Serve Again – replete with a familiar diatribe, the groups third full length effort refines surrealist storytelling with an established brand of angular post-punk.
Now that it’s almost a year old, Imogen Cygler’s entrancing art-pop ballad ‘Earth’ has been reinvigorated with a spellbinding new film clip that balances the song’s subtle beauty and haunting anxiety perfectly.
Mimi Gilbert’s cunning new single ‘Society’s a Mansion’ is a beautifully comforting ode to appreciating the little things, remaining curious and not obsessing over society’s standards of success.