Hobart/Nipaluna quartet 208L Containers returned earlier this year with their latest tape Horseland – eight tracks of chaotic garage-punk, laden with wiry guitar lines, stilted grooves and a snarky political ethos.
Hobart/Nipaluna quartet 208L Containers returned earlier this year with their latest tape Horseland – eight tracks of chaotic garage-punk, laden with wiry guitar lines, stilted grooves and a snarky political ethos.
Following the release of Innocent Times: Eight Poems to Music from 2019 last month, Sydney rapper Bistro has shared a new clip for ‘A Day at the Races’, an album highlight that is both a disorientating dose of his experimental hip-hop and a scathing critique of Australia’s racing culture.
Before he drops Songs To Track Down To later this month, rock ’n’ roll workhorse Joe Terror has shared ‘Release the Fiends’ with us, another dose of his garage-soul goodness that manages to strip back his signature sound without losing its eccentric edge.
Following the release of 2019’s ‘Dog Bite’, Melbourne singer-songwriter Stella Bridie has returned today with ‘My Girl’, an emotional slowburn fit for the love-addled onlooker.
Picking up where their EP You’re Doing Something Right Though left off last year, indie-pop enthusiasts The Fainters are back with the enjoyable and jangling single ‘Guide Me To Beauty’.
On their debut EP, SheOak have crafted a collection of entrancing and ambitious psychedelic-folk that cathartically develops through lead singer Xadi Walsh’s journey of acceptance and growth from loss and pain.
Off the back of the release of her eagerly-awaited debut EP earlier this month, psych-pop luminary Poppongene has invited us into the dreamy world of Futures Unsure and taken us through it track by track.
In late 2009, Philadelphia Grand Jury were at the top of their game, fresh off the release of a debut album that cemented themselves as one of Sydney’s most exciting bands. Simultaneously, the venue that afforded them a foot in the door at the very beginning – Sydney’s Hopetoun Hotel – abruptly closed up shop.
It’s no secret that the arts and music community has been one of the hardest hit by the devastation of coronavirus. As the world shut down, venues closed up and gigs were off. But for many of Melbourne’s musos, it wasn’t just gigs that were done for – so was pub footy.
Today we’ve got the pleasure of premiering the new album from Melbourne producer HAWAII94 – fluid, disorientating, yet completely immersive, Visualise is a mesmerising journey through lo-fi pop, dreamy psychedelia and otherworldly chillwave, bathed in an enthralling nostalgic sheen.
Off the back of the release of their new single today, we caught up with Sydney duo Lorelei to dive into the inspiration behind ‘Pale’, their latest dose of immersive and intoxicating dream-pop.
Following the release of his debut album Turning Sky, What Do You See? in May, alt-country songsmith Willie Coyote has offered us one more treat with his brand new clip for album highlight ‘Jessie’.