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On their third record Let’s Not (And Say We Did), Sydney noise-rockers Zeahorse present an eight-track cacophony, fuelled by big baritone guitar riffs and visceral, incisive social commentary. We got in touch with lead singer, Morgan Anthony, to walk us through the latest record.
Trading abrasive abnegation for a newly found optimism, Danish post-punk group Iceage have continued their reinvention with Seek Shelter, the band’s fifth studio album that asserts their bold mantra as undeniably joyous.
Following the release of ‘Stranger’ over the weekend via Swirl Records, captivating Adelaide songwriter Jess Johns has shared a first look at the hazy new clip that accompanies her evocative sophomore single with us today.
Following the release of her debut solo single ‘This Doubt’ earlier this year, today we have a pleasure of sharing the new clip from Darcy Rock, a captivating visual accompaniment that elevates the track’s illusive atmosphere and turbulent themes into something all the more enigmatic.
Today we have the pleasure of sharing a first look at ‘Butterfinger Hands’, the disorientating debut single from wobbly-pop group Carpet Burn’s forthcoming 7” I Can’t Believe It’s Not Carpet Burn, which is set to drop next month through Spoilsport Records.
Folk songs about post-apocalyptic Canberra might not be what you’d expect from John Sharkey III – the US expat famous for his confrontational Philly punk band Clockcleaner in the mid-aughts and gnawing post-punk acts like Puerto Rico Flowers and Dark Blue since then – but that’s indeed the idiosyncratic wheelhouse for his debut solo record.
Instantly immersive and melodically tranquil, coastal artist Outtatime’s new double single ‘Just Kids / Devocean’ tells soothing tales of naïve romance and of love for the ocean. We caught up with the artist to get an insight into the influences behind the songs.
Juice Webster’s second EP More Than Reaction is a pensive, shimmering indie-folk masterclass and now that it is just short of a month old, we’ve had Juice take us behind the release and its five tracks.
Today we’ve got the pleasure of sharing the latest blast of uncanny and explosive psychedelia from Melbourne five-piece Tug – ‘Rhythm’ is a sprawling second taste of their forthcoming album that has us very intrigued to see what comes next.
The debut release from Mess Esque – the collaborative project between Dirty Three’s Mick Turner and Helen Franzmann who makes music as McKisko – is a surreptitious journey through the hardships of being human. We asked Helen Franzmann to give us some hints on how they came to be.
Off the back of the release of this fourth album late last month, we had Candy take us through the depths of A Pull To Heal, his latest collection of absorbing and turbulent guitar-pop.
Catapulting themselves back onto the scene with their fifth studio album, Jackson Reid Briggs and the Heaters explore the notion of waiting for something non-descript on their most recent release – a continuation of their quintessential sound, the punk rockers truly affirm their depth and excellence across Waiting In A Corner.
