Shaun Kirk, worthy of the cliche ‘Australia’s hardest working muso’, has just dropped his newest single ‘Save My Soul’ – a rolling boogie-rock belter about a Hume highway wanderer that proves he’s still got plenty more in the tank.
Shaun Kirk, worthy of the cliche ‘Australia’s hardest working muso’, has just dropped his newest single ‘Save My Soul’ – a rolling boogie-rock belter about a Hume highway wanderer that proves he’s still got plenty more in the tank.
On their debut single, Sydney garage-punks Bullshirt aren’t worried about introducing themselves politely – ‘Wot C*nt’ is a burst of chaos, full with blistered guitars, caveman drums and the band’s unapologetic attitude.
Despite asserting themselves as a dominant force in the local psych scene, Sofala have somehow managed to release no music – however, the drought is finally over, and ahead of their release show/mini festival Sofalarama, we caught up with Charlie to find out what exactly has been going on.
Just before they drop their new heavily conceptual EP You Were Just A Building, south-side folk-grunge crew Kill The Darling have treated us to a little taster a week out from its launch.
Cosmic-pop crew My Elephant Ride are back with ‘Other Side’, an eclectic slice of spirited psychedelia and the next taste of their forthcoming second album Beyond The Skin.
Hardcoded Korean Subs’ signature saturated vocals and grimy production is back in spades on their second release Banana, that balances being lighthearted, groovy and punchy perfectly.
Local indie-punks Dental Plan introduce themselves with a bang on their debut EP, which comes packed with catchy-as-anything guitars, raucous grooves and a heap of energy.
On their debut EP, Melbourne space-rockers laedj. blast into the universe – full to the brim with other-worldly sounds and all-engulfing psych jams, it’s an incredibly powerful introduction to a band aiming for the stars.
Following the release of his debut EP Gulnaz, we caught up with electro RnB singer/producer ZĀN to find out about his musical journey, the new release and contending with identity in the midst of cultural tension.
Sydney indie-rockers Goodnight Japan are back with ‘Shit Hits The Fan’, a steady garage-rock jam that blurs the blues with heavier sounds, and hits hard with its atmospheric instrumentation and striking emotion.
Melbourne noise-makers Noughts are back with a vengeance on ‘Barefoot’ – blasting with hypnotic bass drones, abrasive guitars and a heap of noise, it’s a powerful return for the band.
Melbourne garage trio wasterr burst out of the gates with a whole lot of manic energy on their “first proper release” – out through local legends Roolette Records, Tape A is a collection of frenzied noise-pop that’s as playfully charming as it is completely fried.