Following the release of ‘Heart Sways’, we got in touch with Sydney multi-instrumentalist Tom Crandles, the mastermind behind Prudence, to find out what inspired his latest piece of delicate, experimental pop.
Following the release of ‘Heart Sways’, we got in touch with Sydney multi-instrumentalist Tom Crandles, the mastermind behind Prudence, to find out what inspired his latest piece of delicate, experimental pop.
Ahead of the release of their new Reader 7” this Friday through Anti Fade, we caught up with garage-punk savant Buz Clatworthy, the mastermind behind R.M.F.C, to dig a little deeper into the fan club.
Led by an unparalleled intimacy, the latest album from seasoned minstrel Sweet Whirl distils experience of the love-addled into universal and incredibly resonant poetry. Walking us through the album track by track, Esther Edquist gave her insights on the wider themes surrounding How Much Works.
Following the release of their pile-driving post-punk single ‘Soft Dream’ last week, Melbourne new-wave trio Jacuzzi talk us through the diverse and, at times, unexpected influences on their sound.
Sydney’s noise-rock duo Party Dozen are back with their new boundary-pushing album Pray For Party Dozen, and ahead of its release tomorrow, we had the pleasure of discussing it with saxophonist Kirsty Tickle.
Last month Maddy Jane dropped her highly anticipated debut album Not All Bad Or Good, a true whirlwind of emotion and genre. We had the pleasure of getting some insight into the phenomenal record from Maddy herself.
After years of relentless touring and releasing five acclaimed records with her band Punčke, Croatian born singer-songwriter Lucija Ivšič relocated to Melbourne and found a new musical persona Mockingbird. We had a chat with Lucija to find out about the new project.
A salve for reckless behaviours, Hannah Cameron’s newly minted track ‘Backsliding’ weaves a tale of self-reflection. We dig deeper on a heavier shift in her alt-folk sound, live-streaming, and growth.
About a year after the band had supposedly broken up, French/Australian garage-punks Le Villejuif Underground have re-emerged with a chaotic new 7” in tow, and some ambitions to eventually make it over to Australia.
Following the release of ‘No Fun Intended’ in March, we got in touch with local noisemakers Picket Palace to take a glimpse into what inspired the latest blast of their infectious garage-punk mayhem.
Having just dropped their latest offering of rollercoastering garage-pop, we had Melbourne mainstays Sophisticated Dingo drop by to talk us through what they’d been circling around whilst writing ‘Vultures’.
Indie-folk artist Taylah Carroll has hit the ground running with her latest ‘I’m Not Sold’, a tribute to the trials and tribulations of the twenty-something experience, and we had the privilege of picking her brain for the inside motivations and inspirations that go into her music.