Tasmanian art-punk trio All the Weathers left the island state earlier this month for the first time to tour their raucous third album …For The Worms. Imogen Elliot was there when they made the album.
Tasmanian art-punk trio All the Weathers left the island state earlier this month for the first time to tour their raucous third album …For The Worms. Imogen Elliot was there when they made the album.
Ahead of the launch of their new EP Company Man this weekend at the Grace Darling, Liam Mcnally caught up with Jack Cherry, lead singer of Geelong garage-punks Vintage Crop, to find out about the band’s steady rise and what’s to come next.
Perth psych-pop mastermind Stephen Bailey is back today with ‘Hyde’, a burst of immersive neo-psych and the first taste of his forthcoming second album 9.
In the midst of a big summer and following the release of their head-turning new single ‘Lose Me’, we got in touch with garage-pop duo IV League to find out what they’ve been listening to in the lead up to their forthcoming debut EP.
Following on from the release of his debut single ‘Rebel’ late last year, new art-pop project Steady Garden is back, with an accompanying clip that injects the track’s groove-heavy new wave with a whole extra dose of weirdness.
Off the back of the release of her debut EP No Hat No Play back in September, we caught up with Sydney alt-pop artist HANDSOME to find out what has been influencing her poignantly brooding electronica.
Following on from the release of their third album Fame Erotic Dream earlier this year, garage-punk psychos Hideous Sun Demon are back with a live clip for their disorientating single ‘SSPPUUNNKK’.
We couldn’t be more excited to share with you the brand new music video for ‘Ricochet’, a long-time fan favourite, and the first single released by excessively talented Melbourne based space-jazz quintet Squid Nebula.
Following on the release of his debut album earlier this year, otherworldly electronic-folk project A Miner is back today with a new clip for ‘Did you see the Lights?’, which transforms the song’s brooding electronica into a eerily captivating moment of minimalist cinematography.
Last month, local psych-lords Buried Feather headed over to Europe to give the rest of the world a taste of their hypnotic psychedelia, and were kind enough to document the entire journey for Trouble Juice.
Mallee Songs’ new album Suburban Horse is a dreamy collection of hazy folk and delicate psychedelia that exists in a blurry space between melancholic and heart-warming.
Sydney bedroom-pop whizkid Fenn is cool is back with a new clip for ‘I Want To Be Rich and Famous’, a slice of wonky lo-fi goodness with a video that takes the ridiculousness up another few levels.