A platform for arts, music, design and gags, both upcoming and established, from Melbourne and beyond, quality and community above all else.
Today we’re delighted to premiere The Bad Randys’ first offering ‘Serotonin’, an incendiary burst of layered guitars and reverb-soaked vocals that pays homage both to their psych rock contemporaries Ty Segall and Thee Oh Sees as well as shoegaze acts of decades past like My Bloody Valentine and The Brian Jonestown Massacre.
Confirming our deepest existential fears, Grounded is a new Melbourne short horror film from actor, writer and producer Josephine Croft, that builds around an unforeseen nightmare of waking up alone on an abandoned, desolate aeroplane. Alongside director Jesse Richards, we caught up with the duo behind Grounded to unpack the themes, inspiration and genius of the film.
When he’s not leading Vintage Crop’s frenetic blitzes, Jack Cherry is also busy as the brains behind post-punk powerhouse Dragnet and running his own record label Weather Vane Records. We caught up with Jack to discuss about the records that have a place in his life.
Ahead of its release tomorrow, we’ve got a sneak peak at Fleeting Persuasion’s brand new single ‘Eternal’ – a brooding dose of electronic-tinged indie-rock that finds project mastermind James Spencer Harrison once again twisting the edges of his forever shifting sound.
If you’re part of the Hobsons Bay Coast Guard fan club, you’ll be thrilled with the news today – the local surf-pop favourites come bearing gifts. Today we’ve got the pleasure of premiering their delirious new single ‘Anonymous Zone’, which arrives alongside news that their excellently named second album Tubular Swells is on the way.
Fresh off the release of her latest serving of idiosyncratic art-pop ‘fall’, we caught up with emerging songwriter and producer romæo to dig into some of the key influences that lead to the creation of her electrifying new single.
Coolabah Kings present their very first output as a band ‘Spineless’, a raucous narrative driven blast of garage-punk. We’re stoked to be premiering the track today alongside a chat with the band to get to know them better.
Ahead of its official release this Friday, today we have the pleasure of sharing a first listen to Pascal Babare’s stunning fourth album Cave Without A Name – a collection of modest chamber-folk that catches the charming singer-songwriter crafting his most assured and imaginative music yet.
Nine years on from the rippling echoes of his previous album, Melbourne electronic artist Tom Briglia aka Sissysocks opens up another dimension through serene sonic landscapes on his third full-length Slink Away. We had the pleasure of catching up with Sissysocks who let us in on the shaping of the long-awaited new record.
Calm and collected on the exterior, Jake Robertson’s head is constantly and quietly turning over ideas. Currently the punk brains behind Alien Nosejob, we spoke to Jake about some records in his life and just what they mean to him.
Off the back of the release of his new single ‘Future Past Present’, we got in touch with rising producer Daniel Joshua to dig into the influences behind his latest dose of otherworldly electronic-tinged art-pop.
A coalescence of evocative instrumentation, simmering hooks and humble indie-folk charm, Outer South’s debut album We Must Be Dreaming is a soothing remedy to a nostalgic state of mind. Today we have the pleasure of premiering the new album today ahead of its official release tomorrow.
