In the midst of their ‘Middle Of The Night’ Tour, Melbourne’s premier rosé-rock quartet Porpoise Spit have found the time to give us a glimpse into what inspired their anthemic new single.
In the midst of their ‘Middle Of The Night’ Tour, Melbourne’s premier rosé-rock quartet Porpoise Spit have found the time to give us a glimpse into what inspired their anthemic new single.
Ahead of their single launch this weekend, we caught up with the mastermind behind Feelds, James Seymour, to find out what inspired ‘Glass Arms’, his latest burst of wistfully woozy indie-folk.
On their debut EP Billy, local wonky-pop group Eggy serve up an invigorating dose of manic garage-pop that bursts with awkward hooks, playful lo-fi production and irreverent charm.
Today we’ve got the pleasure of sharing an early listen to the second EP from local indie-rock crew Wilderglow – Space Between is a collection of expansive alt-pop, that gleams with the band’s distinctly dreamy soundscapes and precise production.
Following the release of their latest single ‘Only if the Water is Cold’, we caught up with Sydney art-pop trio Baby Beef to find out what has been inspiring their weirdo synth-pop, before they head south for their first Melbourne show tomorrow night.
On his debut EP Faux Punk, wacky-pop mastermind Lafferty Daniel throws us for a loop with a collection of erratic garage-psych, with bursts with wobbly guitars, spiralling grooves and unexpected twists.
Local slacker-pop crew Majak Door are back today with ‘Daisies’, a burst of sundrenched indie-rock that brims with woozy grooves and laidback charm.
‘Little Bit in Love’, the debut single from French-Australian dream pop mastermind Eugénie is a hypnotising, life-affirming slowburner that you’ll have fallen a lot in love with once it’s finished wrapping itself around your heart.
To celebrate the release of their debut 7” out today through Psychic Hysteria, Party Pest have shared with us their new clip for ‘Happy Man’, a blast of captivating post-punk and an incredibly playful introduction to the band.
On Backyard, Floodlights share a striking collection of scrappy garage-rock that flows with an Australian spirit, while refusing to downplay the starker sides of our nation’s identity.
Just a few weeks after the release of his mesmerising new album Goodness Gracious, we got in touch with Nick Sowersby, the mastermind behind Sunbeam Sound Machine, to find out what inspired his latest collection of gloriously blissful psychedelia.
Local rock ’n’ roll pal Hugh Fuchsen is back at it with ‘Wyoming’, an endearing country tune that finds Hugh leaning into a more classic sound, while holding true to his playful charm and evocative storytelling.