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Back with a new double single, The Eyeballers once again entice us into the surf-rock realm with ‘Lost at Sea’ and ‘It Wasn’t Over.’ With an energy that drives the body to dance but the mind to ease, these tracks are a quintessential combination of grit and groove.
On Once Again The Present Becomes The Past, Melbourne’s busiest rocker Alien Nosejob (aka Jake Robertson) pulls another U-turn and veers back into grimy punk territory with a new level of focus, firmly gripped on war and history’s insistence on repeating itself.
Following the release of ‘Happyness’ from Tim Derricourt’s dream-pop project Swimwear, today we have the pleasure of sharing the new clip for the single – blending disco synths with sprawling dance moves, ‘Happyness’ effortlessly captures the blissful freedom of being alone.
With the release of their sophomore album quickly approaching, Oliver Shaw and Jayden Hebbard’s El Fuko have let us into their world of enigmatic spoken-word art-rock, with a picturesque nine-minute video clip to accompany the first three singles of Blue Flower.
The second cut from their forthcoming debut album, ‘Turn To Black’ could also be Super-X’s mission statement – their full-throttled industrial punk is a sonic slap in the face that engulfs listeners in a murky darkness, leaving us dizzy and disoriented.
Today we have the pleasure of premiering the debut album from Horse Meat!, a collection of dark and uncompromising post-punk, unironically built around the sounds of 80’s synth-pop and unpinned by a furious, agitated edge.
Following her debut single released as part of Osborne Again and co’s Stay Inside compilation, Emma Shields is back today with ‘Mind’, another dose of her intoxicating and immersive dream-pop that gives us a secondary glimpse into her evocative sonic world.
Today we have the pleasure of sharing a first listen to the new EP Short & Sweet from Girlatones – a brief and breezy collection of DIY pop that leans into Girlatones’ charming revivalist sound, with an added layer of dark sincerity blended in amidst the playful atmospheres.
Ahead of its official release tomorrow via Spoilsport Records, we’ve been treated to an exclusive listen of Plastic’s long-awaited debut album – visceral, nervy and thrillingly haphazard, New Hands is a beaming celebration of the noise-pop quartet’s most bizarrely captivating music yet.
Off the back of the release of her debut EP Lilith today, Melbourne-based producer/songwriter Lily Dee has invited us into the ambient and evocative world of Exquisite Corpse, and taken us through the EP track by track.
Out now through Holiday Maker Records, ‘Sally’ is our second taste of Family Jordan’s sun-drenched new album Big Grass, that has the band continuing their pursuit of authentic folk and Americana whilst maintaining plenty of local charm and humour.
The neo-soul, alternative rock, jazz pop amalgam that is Velvet Bloom has returned once again with their latest single ‘7hundred25’, a mournful yet reflective track about the changing nature of relationships over time. We had a chat to lead vocalist Maddy Herbert about how the track came to be.
