Off the back of her mesmerising new single ‘Lately’, and the announcement of a bunch of forthcoming shows, woozy indie-rock specialist Merpire has dropped by Trouble Juice to talk us through what inspires her to keep churning out hit after hit.
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Off the back of her mesmerising new single ‘Lately’, and the announcement of a bunch of forthcoming shows, woozy indie-rock specialist Merpire has dropped by Trouble Juice to talk us through what inspires her to keep churning out hit after hit.
On ‘Shibboleth’, Pinch Points share a propulsive blast of their aggravated garage-punk that serves as a striking reminder of why they’re one of the country’s most exciting young bands.
Garage-pop trio Barefoot Bowls Club are back with their debut EP Barefoot Bowling, a burst of rough-around-the-edges indie rock that immediately sucks us in with its sunny vibes, endearing lyrics and playful charm.
Ahead of their album launch at the Yarra Hotel tonight, Melbourne’s premiere suave rock trio Montague have just dropped a captivating, black-mirror-as-hell new film clip for the album’s lead single ‘You Get What You Want’.
With its uneasy pacing and stomach-churning storyline, Melbourne singer-songwriter jakson’s debut single ’guilt’ is a masterclass in eerie freak-folk.
Last year, Hobart indie quirk pop group Feed Rick released their debut album Bark Larf, and today we’ve been given the chance to explore the band’s sound in a way we’d never have expected – with a short story that combines Feed Rick with the world of 007.
We’re stoked to premiere the new single from Melbourne garage-rock trio The Rollercanes – ‘Cost of Living’ is a raucous rock ’n’ roll blast, that tackles a far more sensible dilemma beneath the layers of fuzz and noise.
Local indie-rockers Plotz are back with ‘Baby Shakes’, a dose of easy-going jangle-pop with a brand new clip that takes the track’s laid-back vibes up an extra notch.
On ‘Sunday Kitchen Swinging’, Leslie D. King & The Trembling Shakes introduce themselves to the world with an anthemic dose of captivating country-soul.
On ‘Bitter’, Carousel Club share an addictive burst of colourful psych-pop and an exciting first taste of their debut EP.
On ‘Tides’, local psych-pop guy Patrick Ryan serves up an immersive dose of 60’s fuzz-pop that somehow manages to sound equal parts volatile and dreamy.
On ‘Man If You Saw Me On The Street Today’, garage-pop weirdos Terrible Signal share a burst of feverish power-pop and an exciting direction shift for the project as they gear up for album two.