Following the release of Goosetape just six months back, Flimsey Lohan have returned with ‘Jimi in the Mazda’, a new taste of their hip-hop/jazz blend that moves ferociously with a refreshing flare to their sound.
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Following the release of Goosetape just six months back, Flimsey Lohan have returned with ‘Jimi in the Mazda’, a new taste of their hip-hop/jazz blend that moves ferociously with a refreshing flare to their sound.
In lieu of a proper release show, Melbourne dream-pop trio Dianas have been launching their new album Baby Baby all weekend on their own online channel, Baby TV – a stunning accumulation of the band’s creativity, craft and passion.
Another week, another handful of mildly successful cyber dates.
As we head a little deeper into 2020, we took a journey into the mind of bizarre-pop sensation Zac E Tea to get the lowdown on the first quarter of his ongoing yearly residency.
Earlier today, Anti Fade Records announced they’re reissuing two cult classics from their vaults – the debut self-titled album from The Living Eyes and The Frowning Clouds’ second album Whereabouts. We looked back on both albums with the help of Billy Gardner and Zak Olsen.
We chatted with Lachlan Denton about his love for woodworking and how it’s getting him through isolation.
Melbourne punks Bollard are coming in hot today with a brand new single – a terse yet frenetically cool track that only momentarily explodes with energy, ‘Ziggurat’ will make you want to put on your sunglasses and leather jacket, even if you’re stuck at home.
In this time of isolation and uncertainty, some of our favourite Australian musicians and record labels have come together to release Stay Inside, an ode to the collectiveness of our music community.
In something of a disconcerting move for fans, Melbourne art-punks The Dull Joys have shared a new clip for an old track today, which reimagines the dark and moody atmosphere of ‘Somewhere, I Don’t Know’ with its distorted sense of reality and opaque, vintage aesthetic.
After a lengthy wait, beloved Melbourne rockers RVG are back with their much-anticipated second album – following on from their critically acclaimed debut A Quality Of Mercy, Feral confirms them as one of Australia’s greatest modern bands.
Swapping the folk stylings of All Our Exes Live In Texas for driving indie rock, KIT’s debut single ‘Good Guy’ showcases her creativity, genre-crossing talent, and uncrushable spirit – even in the face of a COVID-19 world.
Without sounding too much like a Buzzfeed writer, Nepalese/Melbourne duo Suneden have just dropped a thirteen minute long sitar-laden dream-funk odyssey and it’s exactly what my isolation needed right now.