Brought to us at the end of a confusing and unprecedented week for music, Melbourne trio Double Vanity have shared their self-titled debut single, a genre bending, dystopian-punk song eerily fitted for isolated reflection.
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Brought to us at the end of a confusing and unprecedented week for music, Melbourne trio Double Vanity have shared their self-titled debut single, a genre bending, dystopian-punk song eerily fitted for isolated reflection.
Today we’ve got the pleasure of premiering the latest single from Adelaide psych powerhouse The Empty Threats – bursting with explosive urgency and a whole heap of energy, ‘$2’ is a blast of manic garage-psych that’s as immersive as it is electrifying.
Ahead of the release of his debut album, out tomorrow through Dinosaur City Records, we had bedroom-pop mastermind Nick Griffith talk us through the dizzyingly playful world of 7am.
Following the release of ‘Masquerade’ last week, a rousing indie-rock gem packed with striking emotion and dizzying highs, we had the members of Wilderglow interview each other to make sure the quartet weren’t hiding behind any masks of their own.
Polish post-hardcore outfit Love Glove have teamed up with Melbourne’s own post-punk madcap SERF to release a split EP, and we caught up with them to break down what became their uniquely dreary portrait of the current state of global affairs.
Off the back of the release of ‘Oxytoxic’ earlier this week, we caught up with future-punk prime mover RACKETT to find out what inspired their latest blast of eccentric electronica and its vibrant new clip.
Following the release of ‘Lonely Peak’ last month, a thrilling single that takes us on a spiritual excursion through jazz, neo-soul and psychedelia, we got in touch with Oliver Hughes, leader of Brisbane’s Aubergine, to find out about the group’s rise and what’s to come next.
Off the back of the release of ‘Life’s Good’, the new feel-good/feel-bad garage-rock belter from The Rollercanes, we had the pleasure of picking the brain of frontman Daniel Wright to take a look at the inner goings-on of the band.
Dripping with soul, Melbourne jazz-pop artist Abbey Rose’s ‘He’ is a romantic snapshot of long-distance love, best enjoyed with a whisky in hand, sinking into the plush velvet cushions of a down-lit lounge bar.
Ahead of the Brunswick Music Feastival tomorrow – a show which will see a spread of Melbourne’s tastiest bands teaming up for what they’re describing as a “six-course serving of aural degustation” – we jumped in on a chat between Crepes, Eggy and Baked Beans, in hope of finding out what’s set to go down.
Back with her first music video of the year, Californian-Melbournian artist El Tee returns with ‘Keep Walking’, a striking foray into earnest pop that holds a strong focus on honesty and moving forward.
Ahead of its official release this Sunday to coincide with International Women’s Day, we are beyond thrilled to premiere ‘Man Hater’, the phenomenal debut single from neo-soul powerhouse YARA.