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Local indie-punks Mount Defiance latest single ‘Hospital Gown’ is an anthemic track about growing up that hits hard with emotion and explosive energy. To celebrate the release, we had a chat with the band to find out what has been influencing their latest tracks.
We’re welcoming in a new visuals segment ‘Bedtime Stories’ with multi-talented go getter Chelsea Sienna King.
Speed dating this week with PLANET, Tom Gerrard and Nathan Pickering.
As hard-hitting as it is danceable, Brisbane alt-rockers The Dollar Bill Murray’s latest single ‘The Shape You Take’ is full with swank and swagger. Currently on tour, we had a chat with the band to find out what influenced the new track.
Sometimes propulsive and brutal, others ominously sweet, Gamjee’s debut EP Crooked is a wild collection of manic garage psych. To get a better insight into the release, we had vocalist/guitarist Sam Harding talk us through each of the EP’s tracks.
Off the back of new single ‘Baby Steps’ and in the lead up to their show at The Workers Club tomorrow night with Lazertits, Shady Nasty and Hearts and Rockets, we got talking influences with Melbourne mainstays Bench Press.
Liam Linley’s debut EP In the Course of Love is a collection of poignant indie folk, full with warm guitars, thoughtful lyrics and Liam’s endearing charm, indicative of a versatile musician who has clearly spent the last few years honing his craft.
Her Sound, Her Story opens a powerful and honest conversation, navigating the complex female experience within the Australian music industry.
With their first album out in just a few weeks and a 17-show national tour about to kick off, we’re really excited to premiere the debut single ‘Soar’ and accompanying video-clip from Mornington Peninsula alt-rock crew The Midwayers.
Newcastle singer-songwriter Demi Mitchell’s new single ‘Man Of My Mind’ is a masterclass in sultry rock n roll, full with glorious strings, a powerful backing band and Demi’s intoxicating vocals.
After six months of bursting eardrums around Melbourne, local post-punk trio Noughts have dropped their debut single, a mesmerising blast of visceral noise rock called ‘Skew’.
Great rack and an empty club reverb – one of the more intriguing albums to find it’s way into our inbox – is a masterfully erratic journey that blurs the line between improvised jazz and surreal comedy, so we got in touch with the mastermind Emily Bennett behind it to find out what inspired it’s creation.
