Following the release of the The Roman Road / The Bellows earlier this month, we caught up with Heir Traffic to dig into the key influences that inspired their new double-header of arrestingly uneasy post-punk.
Ahead of its official release tomorrow, we caught up with some of the artists featured on The Be Good Project – an initiative presented by Robot Jaw Records that aims to broaden the conversation around mental health, through collaboration with emerging musicians and visual artists.
On her long-awaited debut EP Coffee Cups, Canberra-based singer-songwriter Hope Wilkins shares a collection of evocative indie-rock, packed with heartfelt musings and wry jabs at toxic exes. Now one week since its release, Hope gave us the inside scoop into what inspired the EP.
Following the release of The Death of Foley’s Mall earlier this month, we had the enthralling Wilding walk us through each track, to share the stories that make up his new Coburg-centric concept album.
Following the release of Sing Leaf’s new album Not Earth last month, we dropped in on a conversation between David Como (the Canadian mastermind behind Sing Leaf’s blend of rustic indie-folk and surrealist experimental-pop) and Australian visual artist Jordan Borg.
Ahead of the release of their debut album The Big Beam next month through Marthouse Records, slacker-pop group Muma Ganoush have decided to guide us through a reminiscent journey of the daily grind with their latest single ‘Early Light’.