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Today we have the pleasure of sharing a first listen and watch to ‘Antipodes’, the (sort of) debut single from emerging Melbourne outfit Deuce – an evocative invitation into the duo’s dreamy world of enigmatic guitar-pop, that doubles as a stunning taste of their forthcoming debut album on Dinosaur City Records.
Melbourne has new competition for the finest irreverent band name in the city: by interspersing his surname with that most famous of Tex-Mex dinner brands, Jack Parsons (of The Pretty Littles) has become Old El Parso on his first solo endeavour.
Ahead of its official release tomorrow, we’ve been gifted an early listen to David M. Western’s latest dose of enthralling indie-folk – brimming with daydreamer poeticism and a rustic charisma, ‘Take Your Opportunities’ is a glowing second taste of David’s forthcoming debut album.
David Forcier has spent his past five years in Australia loyally documenting the going-ons within our underground music scenes from behind the camera. His efforts have resulted in the second edition of Reckless, a book compiling photographs taken from 2016 to 2019 that serves as a visceral and unfiltered snapshot into these communities.
Today we’ve got the absolute pleasure of premiering Quality Used Cars’ debut album Good Days/Bad Days – full to the brim with sunny garage-pop smarts matched with alt-country tenderness and scrappy sincerity, it’s an unassuming but radiant invitation into Francis Tait’s charming world.
Last month, Melbourne post-punk alumni Tom Brierley revealed his debut solo album Beta under the pseudonym Beige Banquet, a vehicle to toy with his unique brand of awkward and angular weirdo-punk. We had Tom talk us through the bizarre chaos captured across the album’s 12 tracks.
Barricade, the second ambient album from Matthew Hayes, and first with spoken word artist Charlie Perry, leans into themes of human frailty and introspectiveness with an overarching a sense of hope, pairing with the year of its creation seamlessly.
Following the release of ‘Fit Right’ late last month, the first cut from their forthcoming debut album L – DOPA, today hypnotic post-punk trio SLOMO have shared a brand new clip that transforms the track’s woozy atmospherics into a disorientating visual trip.
To accompany the glorious and undeniable pop spirit of their latest single ‘Girl’, emerging synth-pop duo Blisstake have shared a new clip with us which pairs the track’s radiant grooves with woozy charisma and unapologetic pink magnetism.
Haphazard and unrestrained in its experimentation, Apollo Bay via Melbourne sextet The Fillmores returned earlier this month with Moonsurfing – a collection of eccentric jangle pop that comes lined with silky hooks and an endearing demo quality, the EP compiles quirky bedroom recordings through the band’s intuitive approach to online collaboration.
Originally released as part of the second edition of Blow Blood Records’ A Long Time Alone compilation, today Melbourne four-piece screensaver have shared a haphazard new clip for their synth-heavy post-punk blitz ‘Living In An Instant’.
Ahead of its official release this Thursday, emerging indie-pop collective Yawn Vibes have been kind enough to give us a sneak listen to their radiant debut single ‘Stadium’.
